Month: July 2017

Coventry U Job Ad: Participatory Practice (UK)

Job adsResearch Associate in Participatory Practice, Coventry University – Centre for Agroecology, Water and Resilience. Closes: July 30, 2017

The Centre for Agroecology, Water and Resilience (CAWR) seeks a committed participatory researcher-practitioner to work as a part of People’s Knowledge, a newly established working group at CAWR.

The position requires experience of:

  • Convening participatory processes.
  • Community-engaged and participatory research.
  • Fundraising for projects.
  • Being part of national and/or international networks of participatory practitioners.

The successful candidate will bring:

  • Experience to enhance participatory practice and build the reputation of the Centre.
  • Creative skills in participatory practice, such as participatory photography, video and theatre.
  • Capacity to use and develop ideas and concepts, including those drawn from movements for social justice.

This post offers an opportunity to join a dynamic, transdisciplinary team engaged in participatory and action-orientated approaches to research. Our work aims to build trust with people whose knowledge is often excluded from research and dialogue with professional researchers. The successful candidate will be part of a team developing and implementing participatory processes that aim to work towards social justice. This will be in the context of issues such as climate change, growing inequality, conflict and mass migration.

CID Poster #4: Types of Cultural Communication

CID PostersThis is the next of the posters designed by Linda J. de Wit, in her role as CID intern. The need for clarification between intercultural/ intracultural/ cross-cultural/ international forms of communication has been made obvious by the number of times I’ve been asked to explain the differences. These terms have been discussed at length in many publications; one direct source is:

Leeds-Hurwitz, W. (1990). Culture and communication: A review essay. Quarterly Journal of Speech, 76, 85-96.

The idea to use fruit for the visual explanation of the different terms was Linda’s, and came from proverbs: in English, one is told not to compare apples and oranges; in many other languages, the fruits referred to are apples and pears. The poster thus implicitly refers to the relativist idea that cultures shouldn’t be judged in comparison to others.

Types of Cultural Communication
Just in case anyone wants to cite this poster, the following would be the recommended format:

Center for Intercultural Dialogue. (2017). Types of cultural communication. CID Posters, 4. Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2017/07/fruit.png

As with other series, CID Posters are available for free on the site; just click on the thumbnail to download a printable PDF. They may be downloaded, printed, and shared as is, without changes, without cost, so long as there is acknowledgment of the source.

As with other series, if you wish to contribute an original contribution, please send an email before starting any work to receive approval, to minimize inadvertent duplication, and to learn about technical requirements. As is the case with other CID Publications, posters should be created initially in English. Given that translations of the Key Concepts in Intercultural Dialogue have received so many views, anyone who wishes to translate their own poster into another language (or two) is invited to provide that as well. If you want to volunteer to translate someone else’s poster into a language in which you are fluent, send in a note before starting, to receive approval and to confirm no one else is working on the same one.

Wendy Leeds-Hurwitz
Director, Center for Intercultural Dialogue
intercult.dialogue AT gmail.com

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

U Oslo Postdoctoral Fellowship: Human Geography (Norway)

FellowshipsPostdoctoral Fellow in Human Geography or equivalent, University of Oslo, Norway. Deadline: August 15, 2017.

The position is associated with a research project called “AdaptationCONNECTS” funded by the Norwegian Research Council. The objective of the project is to develop new understandings of whether and how different types of transformations can contribute to successful adaptation to climate change. The announced position is linked to the “Art Connects” work package, which explores the role of art in adaptation processes. The first phase of the project involves semi-structured interviews with Norwegian and international artists who address climate change in their work. The second phase builds on principles of action research to develop a creative lab that fosters transdisciplinary dialogue and interaction among artists and scientists. The lab will engage with artists, students and academics in diverse disciplines, and the broader public through artist residencies, exhibitions, lecture series, publications, and creative workshops.

The Postdoctoral fellow will be part of a research group on climate change and society lead by Professor Karen O´Brien at the Department of Sociology and Human Geography. More information on the project, including project description, can be obtained at the project website.

Qualification requirements and personal skills

  • Applicants must hold a degree equivalent to a Norwegian doctoral degree in (aktuelle fagområder). Doctoral dissertation must be submitted for evaluation by the closing date. Appointment is dependent on the public defence of the doctoral thesis being approved.
  • Fluent oral and written communication skills in English.
  • Applicants must have the capacity for independent academic research at a high level, preferably documented through publications in international journals.
  • Applicants must have a good understanding of both the human dimensions of climate change and cultural geography, as well as experience with transdisciplinary research and working with artists.
  • Residence in Norway is expected, but Postdoctoral fellows are also encouraged to spend time abroad during the fellowship period.

CFP Expressions of Race & Racism Online (Finland)

ConferencesCFP: Expressions of race and racism online. This working group is part of the 14th Society for the Study of Ethnic Relations and International Migration (ETMU) Conference on Race, Power and Mobilities (October 26-27, 2017), University of Jyväskylä, Finland.

The long-lasting idea that dematerialized online presence would downplay racial issues is vanishing as studies are increasingly showing the extent to which race is embedded in online structures, vocabulary, and users’ practices (Daniels, 2012). Though much research has been conducted on representations of race in traditional media, few studies have investigated expressions of race and racism in online and social media, and their findings underline the complexity of the topic (Sommier, van Sterkenburg, & Hofhuis, in press).

This working group therefore calls for papers tackling online expressions of race and racism to further understand associated strategies, tensions, and outcomes. Current findings point to a wide range of dialectics that should be further explored. Studies urge for holistic approaches (e.g. Titley, 2014) to attend to the interplay between colorblind and blatant racism, individual and structural aspects, local and global discourses, and traditional and social media. These broad research areas include, but are not limited to:

– users’ online practices, identity formation and social interactions (e.g. Hughey, 2008)
– the creation of racial digital divides (e.g. boyd, 2013)
– strategies used to disguise online racist discourses (e.g. Sharma & Brooker, 2016)
– methodological challenges associated with the study of expressions of race and racism in online settings

*** Important dates and practicalities ***

• Deadline for submission: August 31, 2017
• Notification of acceptance: September 15, 2017
• Registration starts September 15, 2017
• ETMU Days October 26–27, 2017

Submit your abstracts of 300–400 words directly to the working group organizer, Mélodine Sommier.

Yan Sun Profile

ProfilesYan Sun gained her Ph.D. in English Literature at Shanghai International Studies University. She is a Judicial Master at the Law School of Fudan University.

Yan Sun

In 2007-2008 she was Fulbright visiting scholar at Mississippi Valley State University, and in 2014-2015 visiting scholar at John Jay College of Criminal Justice, City University of New York.  She is a certified Standard Chinese Test Examiner at China Language Test Center (Shanghai). Her research interests focus on law, literature and legal history.

Recent Publications:

Sun, Y. (2015).  Britain and Western Africa ［殖民与后殖民时期英国与英属西非各国之间的关系]. In Cao & Deming (Eds.), EU and Africa from Historical and Cultural Perspectives（pp. 160-168).  Shanghai:  Shanghai Foreign Education Press.

Sun, Y. (2015). Judicial realism and William Brown’s Clotel. English and American Literary Studies (英美文学论丛), 252-263.

Sun, Y. (2015). Afanti and his family series (Translated, 4 books). Shanghai: Shanghai Foreign Education Press.

Sun, Y. (2015 ) Afanti and Little Donkey Series (Authored, 3 books). Sudan: Fudan University Press.

Sun, Y. (2014). Little Cricket Gery series (Translated, 12 books). China Technology Press.

Sun, Y. (2008). Southern American culture series [美国南方文化]. Teach Yourself English［英语自学], Issues 7-12, pp. 19-21; 18-19; 20-21; 17-18; 20-21; 17-19.

Work for CID:

Yan Sun has translated KC75: Sulh-i-kul, KC76: Intercultural Sustainability, KC77: Negotiation, KC78: Language and Intercultural Communication, KC79: Social Cohesion, KC80: Cultural Discourse Analysis, and KC81: Dialogue as a Space of Relationship into Simplified Chinese.

Key Concept #5: Intercultural Communication Translated into Simplified Chinese

Key Concepts in ICDContinuing translations of Key Concepts in Intercultural Dialogue, today I am posting KC#5: Intercultural Communication, which I first published in English in 2014, and which Yan Qiu has now translated into Simplified Chinese.

As always, all Key Concepts are available as free PDFs; just click on the thumbnail to download. Lists of Key Concepts organized chronologically by publication date and number, alphabetically by concept, and by languages into which they have been translated, are available, as is a page of acknowledgments with the names of all authors, translators, and reviewers.

KC5 ICC_Chinese-simLeeds-Hurwitz, W. (2017). Intercultural communication [Simplified Chinese]. (Y. Qiu, Trans). Key Concepts in Intercultural Dialogue, 5. Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2017/07/kc5-icc_chinese-sim.pdf

If you are interested in translating one of the Key Concepts, please contact me for approval first because dozens are currently in process. As always, if there is a concept you think should be written up as one of the Key Concepts, whether in English or any other language, propose it. If you are new to CID, please provide a brief resume. This opportunity is open to masters students and above, on the assumption that some familiarity with academic conventions generally, and discussion of intercultural dialogue specifically, are useful.

Wendy Leeds-Hurwitz, Director
Center for Intercultural Dialogue

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Cyprus U Technology Job Ad: New Media & Power (Cyprus)

Job adsAssistant Professor or Lecturer: New Media and Power, Cyprus University of Technology – Department of Communication and Internet Studies. Deadline: July 27, 2017

Candidates are expected to have a strong critical theoretical background in the study of new media and a good record of empirical research on how power structures and social conflicts shape and are shaped by the new media, at any level of analysis, from macro (global, societal, institutional) to micro (social-psychological and political, in the broad sense, aspects of new media use). Successful candidates are expected to contribute to the Department’s commitment to excellence in research and teaching.

Applicants for all academic positions should have a doctorate degree from a recognized University and good knowledge of the Greek language. The languages of instruction at the University are Greek and/or Turkish. Citizenship of the Republic of Cyprus is not a requirement.

Coventry U Job Ad: Social Media & Events (UK)

Job adsSocial Media and Events Assistant, Coventry University. 2 year, fixed term contract, renewable. Deadline: July 17, 2017

Following the significant successes of the RISING15 and RISING16 Global Peace Forum events which showcased the vision and ambition of the University and the City of Coventry in the field of peace, the Centre for Trust, Peace and Social Relations is developing RISING as a permanent and regular feature of Coventry’s global footprint.  The Centre is now seeking to appoint a dedicated Social Media and Events Assistant to support the ongoing development of RISING.

RISING aims to create a global platform to raise awareness and develop responses to the threats to peace and opportunities for peaceful relations.  Convening thought leaders and experienced policy-makers from around the world, RISING seeks to inform and inspire, pushing forward new ways of thinking about peace and conflict in our turbulent world.

This post will support RISING and the delivery of the Global Peace Forum and other RISING events by driving the social media campaign to increase awareness and assisting with event planning and logistics for large scale and high profile programmes held in Coventry and around the world.

With a track record of using social media as part of a marketing campaign and with experience of event planning and management, you will have strong communication skills and be a highly organised individual able to juggle a busy workload.  The post holder will be expected to demonstrate a high level of motivation and interest to engage with the subject matter and focus of RISING and CTPSR in general, and should be able to develop appropriate website and social media content from a variety of sources, including academic literature.

Xi’an Jiaotong-Liverpool U Job Ad: Media & Communications (China)

Job adsLecturer/Associate Professor Position in Media and Communications, Xi’an Jiaotong – Liverpool University – School of Film & Television Arts

Applications are invited for a position in the new School of Film and TV Arts, Xi’an Jiaotong-Liverpool University, Suzhou, China. Deadline: July 17, 2017

The successful applicant will have a PhD, and be able to demonstrate appropriate professional experience. Applicants should have good teaching experience and evidence of the ability to produce high quality research publications. Applicants are expected to be able to teach in English, the language of instruction at the university. The successful appointee will be expected to teach; to undertake research in their area of specialisation; and to participate in the administration and development of the School of Film and TV Arts.

The School runs programmes in Communications, Digital Media, and Film and TV Production. Established in 2016 the School is new and growing rapidly. The School seeks to appoint a Lecturer/Associate Professor in Media and Communications with teaching to start in September 2017. The successful candidate will provide teaching across the department and will contribute in particular to the MSc in Media and Communications.

Xi’an Jiaotong-Liverpool University (XJTLU) is a unique collaborative institution, the first and currently the only university in China to offer both UK (University of Liverpool) and Chinese (Ministry of Education) accredited undergraduate degrees. Formed in 2006, the first cohort of students graduated in August 2010. The University now has 10,000 students studying on campus. The language of instruction is English.

 

CID Poster #3: Intercultural Dialogue

CID PostersThis is the third of the posters designed by Linda J. de Wit, in her role as CID intern. The quote by Peter Praxmarer does not come from a publication, but from a Skype conversation we had on April 25, 2017. I was struck by what he said, and how nicely it summed up the concept of intercultural dialogue, and requested permission to turn the definition into a poster, and he graciously agreed. In terms of visual design, Linda indicated “art” by the picture frame, and “science” by the design in the background. Hopefully this definition will find a wide audience, because I think it does a better and more concise job of explaining intercultural dialogue than other definitions I’ve seen.

Intercultural Dialogue definition

Just in case anyone wants to cite this poster, the following would be the recommended format:

Center for Intercultural Dialogue. (2017). Intercultural Dialogue. CID Posters, 3. Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2017/07/art-and-science.png

As with other series, CID Posters are available for free on the site; just click on the thumbnail to download a printable PDF. They may be downloaded, printed, and shared as is, without changes, without cost, so long as there is acknowledgment of the source.

As with other series, if you wish to contribute an original contribution, please send an email before starting any work to receive approval, to minimize inadvertent duplication, and to learn about technical requirements. As is the case with other CID Publications, posters should be created initially in English. Given that translations of the Key Concepts in Intercultural Dialogue have received so many views, anyone who wishes to translate their own poster into another language (or two) is invited to provide that as well. If you want to volunteer to translate someone else’s poster into a language in which you are fluent, send in a note before starting, to receive approval and to confirm no one else is working on the same one.

Wendy Leeds-Hurwitz
Director, Center for Intercultural Dialogue
intercult.dialogue AT gmail.com

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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