KC39 Otherness and the Other(s) Translated into Turkish

Key Concepts in ICDContinuing translations of Key Concepts in Intercultural Dialogue, today I am posting KC39: Otherness and the Other(s), which Peter Praxmarer wrote for publication in English in 2014, and which İçten Duygu Özbek has now translated into Turkish.

As always, all Key Concepts are available as free PDFs; just click on the thumbnail to download. Lists of Key Concepts organized chronologically by publication date and number, alphabetically by concept, and by languages into which they have been translated, are available, as is a page of acknowledgments with the names of all authors, translators, and reviewers.

KC39 Otherness_TurkishPraxmarer, P. (2022). Otherness and the Other(s) [Turkish]. (İ. D. Özbek, Trans.). Key Concepts in Intercultural Dialogue, 39. Retrieved from: https://centerforinterculturaldialogue.files.wordpress.com/2022/03/kc39-otherness_turkish.pdf

If you are interested in translating one of the Key Concepts, please contact me for approval first because dozens are currently in process. As always, if there is a concept you think should be written up as one of the Key Concepts, whether in English or any other language, propose it. If you are new to CID, please provide a brief resume. This opportunity is open to masters students and above, on the assumption that some familiarity with academic conventions generally, and discussion of intercultural dialogue specifically, are useful.

Wendy Leeds-Hurwitz, Director
Center for Intercultural Dialogue

CID Poster #3: Intercultural Dialogue (reprise)

CID Posters(We are reprising the series of posters, because it has been several years since they were originally created, and they are much too wonderful to let them not be noticed by newcomers to the site!)

This is the third of the posters designed by Linda J. de Wit, then in her role as CID intern. The quote by Peter Praxmarer does not come from a publication, but from a Skype conversation we had on April 25, 2017. I was struck by what he said, and how nicely it summed up the concept of intercultural dialogue, and requested permission to turn the definition into a poster, and he graciously agreed. In terms of visual design, Linda indicated “art” by the picture frame, and “science” by the design in the background. Hopefully this definition will find a wide audience, because I think it does a better and more concise job of explaining intercultural dialogue than other definitions I’ve seen.

Intercultural Dialogue definition

Just in case anyone wants to cite this poster, the following would be the recommended format:

Center for Intercultural Dialogue. (2017). Intercultural Dialogue. CID Posters, 3. Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2017/07/art-and-science.png

As with other series, CID Posters are available for free on the site; just click on the thumbnail to download a printable PDF. They may be downloaded, printed, and shared as is, without changes, without cost, so long as there is acknowledgment of the source.

As with other series, if you wish to contribute an original contribution, please send an email before starting any work to receive approval, to minimize inadvertent duplication, and to learn about technical requirements. As is the case with other CID Publications, posters should be created initially in English. Given that translations of the Key Concepts in Intercultural Dialogue have received so many views, anyone who wishes to translate their own poster into another language (or two) is invited to provide that as well. If you want to volunteer to translate someone else’s poster into a language in which you are fluent, send in a note before starting, to receive approval and to confirm no one else is working on the same one.

Wendy Leeds-Hurwitz
Director, Center for Intercultural Dialogue
intercult.dialogue AT gmail.com


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

KC39 Otherness and the Other(s) Translated into French

Key Concepts in ICDContinuing translations of Key Concepts in Intercultural Dialogue, today I am posting KC#39: Otherness and the Other(s), which Peter Praxmarer wrote for publication in English in 2014, and which Mohammed Guamguami has now translated into French.

As always, all Key Concepts are available as free PDFs; just click on the thumbnail to download. Lists of Key Concepts organized chronologically by publication date and number, alphabetically by concept, and by languages into which they have been translated, are available, as is a page of acknowledgments with the names of all authors, translators, and reviewers.

KC39 Otherness_FrenchPraxmarer, P. (2021). L’Altérité et le(s) Autre(s). (M. Guamguami, Trans.). Key Concepts in Intercultural Dialogue, 39. Retrieved from: https://centerforinterculturaldialogue.files.wordpress.com/2021/07/kc39-otherness_french.pdf

If you are interested in translating one of the Key Concepts, please contact me for approval first because dozens are currently in process. As always, if there is a concept you think should be written up as one of the Key Concepts, whether in English or any other language, propose it. If you are new to CID, please provide a brief resume. This opportunity is open to masters students and above, on the assumption that some familiarity with academic conventions generally, and discussion of intercultural dialogue specifically, are useful.

Wendy Leeds-Hurwitz, Director
Center for Intercultural Dialogue

KC39 Otherness and the Other(s) Translated into Portuguese

Key Concepts in ICDContinuing translations of Key Concepts in Intercultural Dialogue, today I am posting KC#39: Otherness and the Other(s), which Peter Praxmarer wrote for publication in English in 2014, and which Filipa Subtil has now translated into Portuguese.

As always, all Key Concepts are available as free PDFs; just click on the thumbnail to download. Lists of Key Concepts organized chronologically by publication date and number, alphabetically by concept, and by languages into which they have been translated, are available, as is a page of acknowledgments with the names of all authors, translators, and reviewers.

KC39 Otherness_PortuguesePraxmarer, P. (2018). Otherness and the Other(s) [Portuguese]. (F. Subtil, trans). Key Concepts in Intercultural Dialogue, 39. Retrieved from: https://centerforinterculturaldialogue.files.wordpress.com/2021/05/kc39-otherness_portuguese-v2.pdf

If you are interested in translating one of the Key Concepts, please contact me for approval first because dozens are currently in process. As always, if there is a concept you think should be written up as one of the Key Concepts, whether in English or any other language, propose it. If you are new to CID, please provide a brief resume. This opportunity is open to masters students and above, on the assumption that some familiarity with academic conventions generally, and discussion of intercultural dialogue specifically, are useful.

Wendy Leeds-Hurwitz, Director
Center for Intercultural Dialogue

Take “the Other” to Lunch

Applied ICDElizabeth Lesser suggests we take “the Other” to lunch in a TED talk posted in 2010, but getting a lot of views this year (and now translated into 31 languages). She shares a simple way to begin real dialogue – by going to lunch with someone who doesn’t agree with you, and asking them three questions to find out what they think and why.

For further information about the concept of “Otherness and the Other,” there’s a Key Concept, written by Peter Praxmarer, and a CID Poster available as well.

CID Poster #3: Intercultural Dialogue

CID PostersThis is the third of the posters designed by Linda J. de Wit, in her role as CID intern. The quote by Peter Praxmarer does not come from a publication, but from a Skype conversation we had on April 25, 2017. I was struck by what he said, and how nicely it summed up the concept of intercultural dialogue, and requested permission to turn the definition into a poster, and he graciously agreed. In terms of visual design, Linda indicated “art” by the picture frame, and “science” by the design in the background. Hopefully this definition will find a wide audience, because I think it does a better and more concise job of explaining intercultural dialogue than other definitions I’ve seen.

Intercultural Dialogue definition

Just in case anyone wants to cite this poster, the following would be the recommended format:

Center for Intercultural Dialogue. (2017). Intercultural Dialogue. CID Posters, 3. Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2017/07/art-and-science.png

As with other series, CID Posters are available for free on the site; just click on the thumbnail to download a printable PDF. They may be downloaded, printed, and shared as is, without changes, without cost, so long as there is acknowledgment of the source.

As with other series, if you wish to contribute an original contribution, please send an email before starting any work to receive approval, to minimize inadvertent duplication, and to learn about technical requirements. As is the case with other CID Publications, posters should be created initially in English. Given that translations of the Key Concepts in Intercultural Dialogue have received so many views, anyone who wishes to translate their own poster into another language (or two) is invited to provide that as well. If you want to volunteer to translate someone else’s poster into a language in which you are fluent, send in a note before starting, to receive approval and to confirm no one else is working on the same one.

Wendy Leeds-Hurwitz
Director, Center for Intercultural Dialogue
intercult.dialogue AT gmail.com


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Key Concept #39: Otherness Translated into Italian

Key Concepts in ICDContinuing translations of Key Concepts in Intercultural Dialogue, today I am posting KC#39: Otherness and The Other(s), originally written by Peter Praxmarer for publication in English in 2014, now translated with the help of Paola Giorgis into Italian. While translating, he has taken the opportunity to slightly revise and update the original English version as well.

As always, all Key Concepts are available as free PDFs; just click on the thumbnail to download. Lists of Key Concepts organized chronologically by publication date and number, alphabetically by concept, and by languages into which they have been translated, are available, as is a page of acknowledgments with the names of all authors, translators, and reviewers.

KC39 Otherness_ItalianPraxmarer, P. (2016). L’Alterità e gli Altri. Key Concepts in Intercultural Dialogue, 39. (P. Praxmarer & P. Giorgis, Trans.). Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2016/08/kc39-otherness-italian1.pdf

If you are interested in translating one of the Key Concepts, please contact me for approval first because dozens are currently in process. As always, if there is a concept you think should be written up as one of the Key Concepts, whether in English or any other language, propose it. If you are new to CID, please provide a brief resume. This opportunity is open to masters students and above, on the assumption that some familiarity with academic conventions generally, and discussion of intercultural dialogue specifically, are useful.

Wendy Leeds-Hurwitz, Director
Center for Intercultural Dialogue
intercult.dialogue[at]gmail.com


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Key Concept #39: Otherness Translated into German

Key Concepts in ICDContinuing translations of Key Concepts in Intercultural Dialogue, today I am posting KC#39: Otherness and The Other(s), originally written by Peter Praxmarer for publication in English in 2014, now translated by him into German. While translating, he has taken the opportunity to slightly revise and update the original English version as well.

As always, all Key Concepts are available as free PDFs; just click on the thumbnail to download. Lists of Key Concepts organized chronologically by publication date and number, alphabetically by concept, and by languages into which they have been translated, are available, as is a page of acknowledgments with the names of all authors, translators, and reviewers.

KC39 Otherness_GermanPraxmarer, P. (2016). Anderssein und die Anderen. Key Concepts in Intercultural Dialogue, 39. Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2016/08/kc39-otherness_german.pdf

If you are interested in translating one of the Key Concepts, please contact me for approval first because dozens are currently in process. As always, if there is a concept you think should be written up as one of the Key Concepts, whether in English or any other language, propose it. If you are new to CID, please provide a brief resume. This opportunity is open to masters students and above, on the assumption that some familiarity with academic conventions generally, and discussion of intercultural dialogue specifically, are useful.

Wendy Leeds-Hurwitz, Director
Center for Intercultural Dialogue


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Refugees, Germany, Willkommenskultur and Intercultural Communication

Guest PostsResponse to Dominic Busch’s guest post by Peter Praxmarer

I find myself in almost full agreement with what Dominic Busch writes.

In particular, I find his reflections on language in what he calls “internal social discourse,” pertinent and well taken. Also, the fact that “the cultural argument” has been hijacked by the far right and the national populists, in our times, is not surprising. This would, by the way, merit a little more research: attention to the culture of others has more often than not been a child of animosity, enmity, hostility, rejection if not outright war, as the history of exclusion, but also of conquest, colonialism, imperialism, and domination in general, amply testifies. As we (should) know, the very idea of “intercultural communication” as a more or less independent field of study, research and practical application was born during WWII, as part of the “war effort” of the US (viz. Leeds-Hurwitz). From this, also, stems the particular and sometimes incongruent vocabulary of the field, which is utterly US-social-science-lingo dominated, with some inroads from languages which still claim their droit de cité in the global social science supermarket (or, more benignly stated, the Global Republic of Letters), e.g. French and German. The field of study called intercultural communication became less war-related only later (but not everywhere), when  nation- and culture-crossing processes and constellations other than war started to play a more important role in the modern world-system (to follow Immanuel Wallerstein’s still pertinent terminology, preferring it to the shallow term “globalization”) – but it has kept its very peculiar vocabulary, at least in the mainstream.

Aside from that, while reflecting upon the present discourse on refugees in Germany and the “cultural” problems of the more or less autochthon residents (the “Old Germans”, as Busch cites a fellow professor in his piece) with them, it is worthwhile also to reflect on the position of the very term Kultur in Germany. In Germany, and not only during Nazi times, there has long existed an attitude which was described as Am deutschen Wesen mag/soll die Welt genesen, meaning that German culture is the remedy for all other (cultural) ills, all over the world. The Allied Propaganda posters, both in WWI as in WWII, took up this cultural theme. Thus, e.g., US War Propaganda during WWI showed a Mad German Brute holding a club with written Kultur on it, or an US Sleeping Beauty by the name of Civilization, calling every man, woman and child to war  – these and similar illustrations were meant to convey that deutsche Kultur is not so peaceful as other civilizations. In historical perspective, one has to agree. Looking into what was done in the name of German Kultur and how Kultur was used during WWII and before, would just confirm the very xenophobic and worse essence of it, inhumanely and most horrendously. (Caveat: Allied war propaganda is not presented here as an authoritative source, but only to provide a stark illustration of the use of the cultural argument; and many other than German “cultures” and “civilizations” certainly also have their share in war, conquest and violence-in-the-name-of-culture, epitomized, e.g., by “The White Man’s Burden” or the “mission civilisatrice”.)

Therefore, and also in view of the fact that the populist right wing and nationalistic parties have been able to hijack the term “culture” for their purposes, it is so good to see how civil society in Germany has constructed a new culture which is not national or völkisch, nor aggressive or expansionist, but welcoming: Willkommenskultur. In addition, even the counterpart to civil society, the German state, not least through its Chancellor, is, to varying degrees and for various reasons, in favor of taking in refugees, as is, again for still other reasons and purposes, the economy and a great part of the media. A beautiful page in the otherwise not always so beautiful book of contemporary Europe. And also a great example of (co-)constructed (inter-)culture, as well as of the fact that  “culture” never stands alone and cannot be meaningfully explained without taking into account history, society, economy, the polity, as well as, in our day and age, the many influences and experiences of mediated virtual reality in all its forms.

Yet, I also want to mention a point of potential disagreement with what Busch writes, regarding the role of Intercultural Communication Studies and Research. It is certainly true that the term “culture” has been critically evaluated, and the field is rapidly moving away from an essentialist and relatively static position to a more constructivist interactional and dynamic view of culture, in very simple terms privileging “communication” and “inter” over “culture”. However, by and large the main concern of intercultural communication research has been predominantly either relatively elite or middle-class or strictly utilitarian, covering, e.g. management or other professional groups, hospitals, schools, the military, police, development cooperation, etc. Relatively rarely concerned with, e.g., social integration per se (if not in special trainings for social workers, etc.), or with social integration from below (viz. the reference to Conflict Discourse Ethnocentrism in Busch’s text). In other words, the field has been center- and middle-class- or elite-focused, and not periphery- and non-elite, and where non-elite, then mostly only in terms of social management of deviations from norms or dangers from (culturally defined) others. This has also impacted our methodology: we have not always tried to understand, but we have been “overstanding”, as Raimon Panikkar so masterly phrased it already a quarter of a century ago. This is exacerbated when interculturalists (have to) jump on data-driven “fast science” jets instead of cultivating philosophy-fertilized “slow science” gardens, since this leaves no time to reflect either on the cui bono question or on participative methods or more sophisticated research questions than the ones required and funded by the global social science marketplaces – and it most certainly does not give a voice to those directly researched upon and with. Also for these reasons (conceptual, exemplified by “culture”, as well as methodologically), I would argue, we have so little to say when it comes to refugee crises, or to horrorism/terrorism, or to many other social “problems”. One reason why “the cultural argument” has been so successfully hijacked by the right and the nationalists, could therefore probably be that the interculturalists have far too long worked – even if engaging in what Busch calls a “sophisticated” debate – with a de-historisized, de-socialized, de-materialized, de-economized, de-politicized and overly value-oriented and psychologized concept of culture (and communication, for that matter). In other words, if one wants to understand (parts of) social reality in terms of culture and communication (and “inter” dynamics and processes), one has to look at it as what Busch calls, following Michel Foucault a “Dispositiv” (“dispositif” or “apparatus” in Foucault’s terminology). Likewise, it is necessary to overcome the “Unbearable Lightness of Communication Research”, as The International Communication Gazette tellingly titles its forthcoming 2016 Special Issue.

This critical look at the field is of course not meant to belittle the many initiatives of academic interculturalists in Germany, of which “Helfern helfen” of the intercultural campus of the Interkultureller Hochschulverband is but one. Or the numerous other initiatives undertaken by people who have studied intercultural communication and want to put their knowledge to good use; not to forget all those who practice sustainable – and sustained — intercultural communication in their daily dealings with the Stranger, the Migrant, the Refugee, the Other. It is simply a call for more “social” intercultural communication studies – more social in more than one sense.

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Charlie Hebdo and Intercultural Dialogue

Guest PostsCharlie Hebdo and Intercultural Dialogue by Peter Praxmarer.

Dear readers of this page:

As so many all over, I am following the unfolding of the dynamics of the Paris events. I do not think that I have particularly much to say about this, but I do want to share some thoughts that trouble me. They have to do with the Paris crimes and with intercultural communication; “intercultural communication” here understood as a research field in contemporary social science and/or the humanities, as a professional practice, and as the social practice of living together in a multifaceted and diversified society.

I do not want to enter into the debate about free speech vs. obscurantist or fundamentalist religious faith, but would like to draw your attention to the possibly problematic relationship between limitless free speech and expression on the one hand, and respect for the dignity of all human beings on the other. This problem is very well addressed n a series of discussions provided by “Democracy Now” (take it from 11:59 onwards). Separate interviews/contributions/debates with Art Spiegelman, Gilbert Achcar, Tariq Ramadan and others can be downloaded. For those who read German, these reflections of a Swiss historian may also be of interest.

More succinct, but equally telling, are the caricatures by Joe Sacco of The Guardian (caricature against caricature, so to speak), who takes a different stance than the one taken now by the hardcore provocateurs-and-proud-of-it, in the name of unbridled freedom of expression or in the name of xenophobia or utter racism.

What happened in Paris very much involves satire, also satire as a form of communication. The question: “To what culture does satire pertain?” or headings such as “The satirical differences of cultures” are probably idle ones, at least in this context, even though some people hail satire as a hallmark of a culture of democracy. Likewise, speculating about that particularly vitriolic “French” form of satire, developed since the French Revolution, which some see as typically Charlie Hebdo sarcasm, does probably not yield too much in this respect. At any rate, I think one can make some points regarding satire as a form of (intercultural) communication.

When analyzing acts of speech, argumentation – indeed, communicative utterances in all forms and communicative (re-)actions –, certain questions are all too seldom asked: “cui bono” or “cui prodest”, and the question “why”. Why do we communicate what and how we do, for what reason, to what end and purpose, and to whose benefit? Analyzing the Charlie Hedbo caricatures (and the earlier Danish ones) by asking these simple questions, one could come to the conclusion that efficiency as well as effectiveness of communication can also be measured in terms of the underlying reason and purpose. Seen in this way, a superior and refined intercultural communication competency would be, to say it with J.M.C. Le Clézio: (Coexister, c’est) comprendre ce qui peut offenser l’autre.

Considering all this, I am not so sure if I can without reserve underwrite “Je suis Charlie” – it depends on what Charlie stands for: if Charlie stands for the journalists and the others murdered, yes, then I can indeed identify with and proudly defend Charlie, just as I could say Je suis Ahmed. If Charlie stands for the right and license to provoke, to offend, to denigrate, in the name of free speech seen as universal, absolute and unilateral human right without corresponding duty and obligation to respect the Other, then I would not like to be seen with this sign in my hands.

A number of points could still be made while reflecting on, and trying to analyze and interpret, these Paris events. Let me just refer to two, which I think are particularly important for those who deal, professionally or in other ways, with intercultural communication:

First, we have to resist any attempt to construe this barbaric act as a clash of cultures or civilizations, or religions, as “Islam against the West”. Even in its more qualified form of “Radicalized Islam”, “Islamic Terrorism” or the like – let’s leave Islam, the Moslems, and indeed culture, out of this. The fact that some individuals use the terminology of a religion and profess to be violent and criminal defenders of a faith does not mean that that religion and its faithful are violent and criminal. Any analysis of this in terms of legitimization and ideological justification is much more explanatory than in terms of culture or religion. No cultural essentialism here – this may be a hard blow for those interculturalists who live off and by culturalizing anything and everything, including conflicts and violence. Equally, any appeal to identity, “Western”, “Christian” or other should be carefully avoided in this context – identity anyways being a very problematic concept that one anthropologist (Francesco Remotti) considers “poisonous”, while a famous economist, Amartya Sen, warns us about the potential of violence inherent in what the French call repli identitaire.

Secondly, what happened is clearly a failure of inclusion, of integration – socially, politically, economically, psychologically and, why not, “culturally”. In a wider context: the free-market-consumer-capitalism-cum-liberal-democracy model of integration does not work anymore (not my thought alone, but the thought of such prominent scholars as Joseph E. Stiglitz, Thomas Piketty, Tony Judt, Richard Wilkinson, Immanuel Wallerstein, Richard Sennett, Colin Crouch, and a host of others). France, as other European countries, has been unable to give to all of her immigrants the space and opportunities where to develop, where to grow into and together with society. Add to this the stigmatization and all too often outright enmity towards Muslims in today’s Europe – the veritable construction of an inner and outer enemy, as exercised daily by xenophobic and populist-nativist (usually right-wing) political parties and certain media – and then you get that type of social climate and political culture, in which violence thrives. Moreover, this climate in Europe is exacerbated by what happens in many of the Muslim majority countries, from corrupt or utterly undemocratic regimes backed by the (capitalist) West for economic or geopolitical reasons, to direct, almost always US-led, military intervention in Iraq, Afghanistan, Syria and elsewhere. And, in the specific case of France, consider that nation’s colonial past, particularly in North Africa.

I think that we, as interculturalists, cannot ignore the wider, indeed global, context of what is happening (in Europe and elsewhere) in the name of Islam and anti-Islam, but should be well aware of the fact that there are other than “cultural” reasons, factors and dimensions that fuel this conflict.

The only way out of this, and here our contribution and the very name of, and idea behind, the Center for Intercultural Dialogue come in, is to search for (new and original) ways of understanding, dialogue and inclusion – intercultural communication as science (or is it an art?) and practice of human understanding and dialogue, to put it loftily…

Cordially yours,
Peter Praxmarer

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