Dublin City U: Doctoral Scholarships Applied Language & Intercultural Studies (Ireland)

Fellowships
Doctoral Research Scholarships, The School of Applied Language and Intercultural Studies (SALIS), Dublin City University, Dublin, Ireland. Deadline: 16 April 2020.

The School of Applied Language and Intercultural Studies (SALIS) is a multilingual, multicultural research-focused school with specialisms in Modern Languages (Chinese, English, French, German, Japanese and Spanish); Applied Linguistics; Translation Studies; Literary Studies; Migration Studies; Sexuality Studies; and Cultural and Intercultural Studies. SALIS offers a multilingual and multicultural environment in which to pursue a PhD programme, and has a strong focus on a multidisciplinary approach to language and communication.

As part of the commitment to ensuring excellence in doctoral-level research, SALIS is pleased to offer a number of scholarships for full-time PhD students commencing 1st October, 2020. Successful candidates will receive a stipend of €16,000 per annum for up to four years; subject to satisfactory annual progression. Registration fees will also be paid.

SALIS is particularly interested in receiving research proposals in the following areas: Applied Linguistics; Cultural Studies; Intercultural and Migration Studies; Literary and Sexuality Studies; and Translation Studies. Topics within Intercultural and Migration Studies include: Cosmopolitan Citizenship; Creativity; Asylum Narratives; Conflict and Conflict Resolution; Immigration and Multiculturalism; Migration and Diversity; Migration and Gender; Political Discourse; Social Entrepreneurship; Social Innovation; Political Education; University Of Sanctuary.

 

 

KC96 Interreligious Dialogue

Key Concepts in ICDThe next issue of Key Concepts in intercultural Dialogue is now available. This is KC#96: Interreligious Dialogue, by Kenan Çetinkaya. Click on the thumbnail to download the PDF. Lists organized chronologically by publication date and numberalphabetically by concept in English, and by languages into which they have been translated, are available, as is a page of acknowledgments with the names of all authors, translators, and reviewers.

KC96 Interreligious Dialogue

Çetinkaya, K. (2020). Interreligious Dialogue. Key Concepts in Intercultural Dialogue, 96. Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2020/02/kc96-interreligious-dialogue.pdf

The Center for Intercultural Dialogue publishes a series of short briefs describing Key Concepts in Intercultural Dialogue. Different people, working in different countries and disciplines, use different vocabulary to describe their interests, yet these terms overlap. Our goal is to provide some of the assumptions and history attached to each concept for those unfamiliar with it. As there are other concepts you would like to see included, send an email to the series editor, Wendy Leeds-Hurwitz. If there are concepts you would like to prepare, provide a brief explanation of why you think the concept is central to the study of intercultural dialogue, and why you are the obvious person to write up that concept.


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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Dialogue Coordinator (USA)

“JobDialogue Coordinator, Ahmad and Elizabeth El-Hindi Center for Dialogue, InterFaith Works, Syracuse, NY. Deadline: Open until filled, posted March 21, 2020.

The Dialogue Coordinator is responsible for designing and delivering dialogue projects, training for facilitators to support those projects, and providing evaluation of dialogue projects. Dialogue, as practiced by this Center for Dialogue, is a structured, facilitated conversation among groups of 8-15 people to have brave conversations with each other on difficult topics, such as racism. The dialogue process builds the capacity of the community through training and support of multiple sectors both through facilitation of dialogue circles and the training of community members in methods of constructive engagement that influence public policy and community problem solving.

USIP: Dialogue & Peace Process Support (USA)

“Job

Senior Expert, Dialogue and Peace Process Support, United States Institute of Peace, Washington, DC. Deadline: Open until filled, posted January 23, 2020.

The Senior Expert position will serve as program lead on promoting and enhancing dialogue as a predominant peacebuilding method for the Inclusive Peace Processes Team, which is located in USIP’s Center for Applied Conflict Transformation. The Senior Expert will oversee USIP’s thought leadership on dialogue as well as develop practice, particularly to support transformation in peace processes globally. This position will provide strategic guidance and practice-oriented training, and serve as a comparative analyst on issues related to dialogues including political dialogues and consultations, intercultural dialogues, national dialogues, track II dialogue, among others.

The Inclusive Peace Processes team provides support to a range of internal and external stakeholders working at various stages of peace processes. The team provides capacity-building support as well as technical expertise on issues related to peace processes such as power-sharing, ceasefires, and mediation support. The Senior Expert will report to the Director, Inclusive Peace Processes and Reconciliation. This position will be a Full-Time position, however ISIP is open to include candidates that are available to work Part-Time as well.

2020 Video Competition and Listening

CID Video CompetitionThis year’s CID Video Competition has as its theme listening, on the grounds that listening is how intercultural dialogue starts. In these days of the Coronavirus pandemic, a very different video on listening has been circulating. Despite the fact that it has no other connection to the competition, it is well worth watching. It is titled #Ascolta in the original Italian, and An imagined letter from COVID-19 to humans in the English. Perhaps it will give ideas to those who are preparing videos for the CID competition.

Video made by: Darinka Montico
Written by: Kristin Flyntz [link goes to complete text]
Music: Cold Isolation · David Fesliyan [link goes to the album]
Subtitle Edit: Iris Kalpouzou

KC35 Media Ecology Translated into Turkish

Key Concepts in ICDContinuing translations of Key Concepts in Intercultural Dialogue, today I am posting KC#35: Media Ecology, which Casey Man Kong Lum wrote for publication in English in 2014, and which Uygar Doğan has now translated into Turkish.

As always, all Key Concepts are available as free PDFs; just click on the thumbnail to download. Lists of Key Concepts organized alphabetically by conceptchronologically by publication date and number, and by languages into which they have been translated, are available, as is a page of acknowledgments with the names of all authors, translators, and reviewers.

KC35 Media Ecology_Turkish

Lum, C. M. K. (2020). Medya ekolojisi. (U. Doğan, trans). Key Concepts in Intercultural Dialogue, 35. Available from:
https://centerforinterculturaldialogue.files.wordpress.com/2020/02/kc35-media-ecology_turkish.pdf

If you are interested in translating one of the Key Concepts, please contact me for approval first because dozens are currently in process. As always, if there is a concept you think should be written up as one of the Key Concepts, whether in English or any other language, propose it. If you are new to CID, please provide a brief resume. This opportunity is open to masters students and above, on the assumption that some familiarity with academic conventions generally, and discussion of intercultural dialogue specifically, are useful.

Wendy Leeds-Hurwitz, Director
Center for Intercultural Dialogue


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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Loughborough U Residential Fellowships (UK)

Fellowships

Residential Fellowships, Institute for Advanced Studies Loughborough University, Leicestershire, England, UK. Deadline: 15 May 2020.

Loughborough University’s Institute of Advanced Studies has announced a major new initiative, the IAS Residential Fellowship programme, which will begin from September 2020. The Residential Fellowship programme adds significantly to the current portfolio of opportunities offered by the Institute to bring leading international scholars to the University as IAS Fellows.

IAS Residential Fellowships are open to outstanding international researchers from across all disciplines and career stages who wish to pursue a month-long research residency within the scholarly community of Loughborough University and its Institute of Advanced Studies.

CFP Contemporary Media Culture & Society (Argentina)

ConferencesCall for papers: Contemporary Developments on Media, Culture and Society: Argentina and Latin America, The Center for the Study of Media and Society in Argentina (MESO), Universidad de San Andrés, Buenos Aires, Argentina, November 12-13, 2020. Deadline: August 31, 2020.

Submissions should contribute to ongoing conversations about media, culture, and society in empirical, theoretical or methodological ways. They might also broaden our knowledge about the relationship between media, culture, and society at the national and regional level. Articles may refer to different aspects of communication, media, and cultural goods and services in the areas of journalism, entertainment, cinema, theater, television, music, etc. – advertising and marketing, public relations, social media, and video games, among others. This sixth annual conference is sponsored by the Center for Global Culture and Communication at Northwestern University.

CID Video Competition FAQ 2020

Job adsIn past CID Video Competitions, a number of questions have been asked. In hopes this will help others, they are posted here, along with answers. As new questions are asked, they will be added and answered. 

Please read the basic information for the CID Video Competition in 2020, including especially the entry rules, carefully! If submissions do not meet the requirements, they cannot be considered for a prize until and unless they are revised. When ready, submit your video

But…coronavirus!
At this point the competition is still on, despite the pandemic. Some instructors have suggested this can be a particularly useful assignment for courses suddenly moved online. So go ahead and make your videos!

This year’s topic is listening. What does that entail?
Listening means paying attention to someone else rather than focusing on your own words and ideas. This is easiest with someone you know well, and hardest with a stranger, especially if that person shares few characteristics with you. But listening is the start of intercultural dialogue, so it’s important. For more details, see this list of additional Resources.

What exactly is intercultural dialogue, anyway?
The short answer: Intercultural dialogue requires at least two people from different cultural groups (so, it can be international, interracial, interethnic, or interfaith). It is active (people actually communicating in some way, having dialogue) rather than passive (knowledge in people’s heads). Here’s a longer answer: Key Concepts in Intercultural Dialogue, 1: Intercultural Dialogue. For more details, see this list of additional Resources.

What about intergenerational dialogue, is that intercultural as well?
NO, intergenerational dialogue within a single culture is not usually considered a form of intercultural dialogue. An argument could presumably be made, but that may be difficult given the short time limit for the video.

Can a group of students submit a video instead of one person?
Yes, absolutely. In fact, that is encouraged, as the perfect way to demonstrate listening to different points of view.

How many people maximum in a group are allowed?
Whatever works best for the students – and the instructor in a particular course if the competition is being used as a class assignment – will be fine. We’ve never set a limit.

Can faculty members participate?
NO, this is a competition for students only. Faculty members can serve as informal advisers or critics, and are certainly asked to encourage participation, or even require participation as part of a course if that suits their needs. But faculty members should NOT be part of the group that actually works on the video, and should NOT be the one submitting a video.

Can audiotapes be submitted in lieu of videotapes?
NO, sorry, audiotapes are NOT videotapes.

Where should videos be uploaded?
Upload videos here. You will have to create an account when you get to the site, with your email, name, and a password. Videos should NOT be uploaded directly to YouTube or any other server, please!

Help, I don’t understand the directions when I get to the upload site!
You are asked to “Login or create an account.” The first time there, you need to choose “Create an account,” which requires providing your email address, first name, last name, and making up a password which you provide twice to confirm. Then click on “Register.” At that point you need to answer the questions on the application. If you don’t finish the first time, when you go back to the site, choose “Login” and then finish. Your email is your “Login ID” and the password is the same one you provided when you created the account.

My students are having difficulty submitting their videos. Can a faculty member help with this step?
YES, absolutely. The goal is to have student-created videos. There’s no problem with a faculty member helping to get those videos uploaded so they can be entered in the competition. However, please do NOT do it for them – the account should not be in the faculty member’s name. Let the student create an account, and then help as needed with any technical or translations issues.

My student says it’s hard to upload a video so I’m sending it to you to upload for them.
NO, sorry, we can’t do that! Get in touch via email and ask for help, but really, the system is pretty straightforward.

My students created videos for this competition as a course assignment, so there are several different videos to be uploaded. Does each video need to be submitted separately?
YES, absolutely. Each video, whether created by one student or by a group of students, should be uploaded separately so it can be evaluated by the judges.

Four of us worked on a video together. Do we submit it once or 4 times?
ONLY ONCE! A group video should be submitted once, with all students who worked on the video being listed as creators. Choose a student who checks their email fairly often as the one to upload the video, so if there are any questions, they will see the email and be able to respond.

Can 30-minute videos be considered?
What part of “no less than 30 seconds, no more than 2 minutes” is unclear?

Is there a language requirement for the videos?
YES, the videos either must be in English or subtitled in English. Permitting other languages would imply having judges who know all the several dozen languages currently represented on the site, which would be impossible. However, choosing to have most of the video silent, with few words, or using another language with English subtitles, are appropriate ways to finesse the language requirement for those who are not native speakers.

Do the videos have to be live action?
NO, animation has been successfully incorporated into several submissions in the past. However, a PowerPoint slideshow is unlikely to result in an award, as that doesn’t make a very successful video.

I want to use video I made of a group singing a song in live performance. I have their permission, but not that of the copyright holder for that song. Is that fair use?
Unfortunately, the short answer is no, you would need permission of the copyright holder of the song. The long answer is that for all fair use questions, see the Documentary Filmmakers Statement of Best Practices in Fair Use and the Code of Best Practices in Fair Use for Online Video; these and other such best-practices codes are available from the Center for Media and Social Impact.

UCL: Language Learning and Intercultural Communication (UK)

“Job

Professor of Language Learning and Intercultural Communication, Institute of Education, University College London (UCL), London, UK. Deadline: 9 April 2020.

The postholder will provide strategic leadership in the development of research and teaching in the areas of intercultural communication and modern language education, at the IOE and across UCL. The Professor will work with a team of academics whose expertise spans a range of areas in diverse education contexts.

You will develop and lead a new Master’s programme in Intercultural Communication for Language Teaching and Learning, and to lead on the development of an effective research strategy that enables the team to work towards national and international recognition of their work.

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