CFP Children, Youth & Media in MENA & Gulf Conflict Zones

Call for Panelists for the upcoming Middle East Studies Association (MESA) Annual Meeting, Washington D.C., November 18-21, 2017

Children, Youth, and Media in Middle Eastern, North African, and Gulf Conflict Zones. This panel seeks to carve out new pathways into the subject of children, youth and media.

Abstracts are sought that critically interpret how Middle Eastern, North African, and Persian/Arabian Gulf children and youth use, play with, produce, interpret and/or are influenced by media in conflict zones. Abstracts should come from or be framed from the “voice”, or perspective of children and youth and connect how their respective media uses and practices impinge on the development of their culture, constructions of civic and national identity, intergroup attitudes, political opinions, and/or peace and conflict related practices and behaviors. To that effect, papers might examine the media uses and associated daily lives — past and/or present — of among others, Algerian, Iranian, Iraqi, Israeli, Lebanese, Libyan, Palestinian, Syrian, Tuareg, Yemini or Yezedi girls and boys. Papers that explore these areas as they relate to the lives of those among them who have been (forcibly-) migrated, are borderlands children, have been born due to the uses of rape as a weapon of war, and/or whom, through them, have become child mothers, are particularly encouraged.

Abstracts, and so papers, may conceptualize children/childhood or youth from a biological, legal, constructed, and/or subaltern perspective. They may either be modern or historical in focus. Field-based research from a variety of disciplinary, theoretical, and methodological perspectives are encouraged. Research from communication, children and youth/childhood studies, anthropology, political science, sociology, psychology, history and related disciplines are all welcome. To that effect, media analogous analyses of non-formal education, arts, music, dance, and leisure practices and spaces are invited. The goal of the panel will be to foster a critical transdisciplinary merger of these varied disciplinary approaches.

If interested, and for any questions, please email Yael Warshel at ywarshel AT gmail.com
The following information should be emailed by Feb 8, 2017:
1) your name, affiliation, and contact details.
2) a 300-400 word abstract fitting the above panel theme and MESA’s criteria for evaluating abstracts, including being, “scholarly”, and possessing “a strong, focused statement of thesis or significance, clear goals and methodology, well-organized research data, specified sources, and convincing, coherent conclusions.”

CFP Visualizing (in) the New Media (Switzerland)

Call for Papers: Visualizing (in) the New Media

In November 2017, the Universities of Neuchâtel, Zurich and Bern in Switzerland will host the first international conference to focus specifically on visual communication in/about new media. In this regard, we invite the submission of abstracts for scholarly presentations in any of four overlapping thematic areas.

  1. Social interaction

Here, we envisage presentations that focus on the communicative uses of visual resources in the context of new media; for example: orthography and typography, graphematic design, the use of emojis (pictograms, emoticons, smilies), and/or the social-interactional uses of video, GIFs and non-moving images.

  1. Meta-discourse

Here, we envisage presentations that focus on people’s talk or writing about visual practices; for example: journalistic commentary about visual practices in new media (the use of emojis, for instance) or communicators’ discussions about their own or others’ visual practices in new media spaces.

  1. Visual ideologies

Here, we envisage presentations that focus on the visual depiction of new media in, for example, the context of commercial advertising, print or broadcast news, cinema and television narratives and/or public policy and educational settings.

  1. Industrial design

Here, we envisage presentations that focus on perspectives related to, for example, the visual-material design of technologies and apps, as well as the look or layout of screen interfaces, especially insofar as they concern the communicative (as opposed to technical) affordances of new media.

In selecting presentations, the conference team will privilege those adopting a multimodal approach to visual communication; in other words, studies that focus on visuality but attend to its interaction with other communicative modes – especially linguistic ones. We take a broad and critical approach to labels like “new”, “digital” and “mobile” as they are applied to communication technologies; we are nonetheless principally interested in more current, social, interactive media spaces such as micro-blogging, messaging, forums, gaming, video- and photo-sharing, and social networking.

The principal language of the conference will be English; however, the conference team welcome presentations and posters presented in German, French, and Italian (ideally, with slides or handouts offered in English). In such an interdisciplinary field, we also invite presenters to use their preferred style of delivery, whether it’s a read paper, an unscripted slideshow or some combination of the two.

Titles, abstracts and basic biographical information should be submitted using our online submission system available here: https://www.conftool.net/vinm2017/ . Abstracts should be between 300 and 500 words and written in the same language as the presentation or poster. If the abstract is in a language other than English, please provide a list of five keywords in English. We ask that you also indicate which of our four thematic areas (above) your paper addresses as well as if it is a presentation or a poster. The deadline for proposals is February 28th 2017 with an anticipated decision date of April 30th 2017.

 

CFP IAICS: Languages and Cultures in a Globalizing World (Macau)

The 23rd International Conference of the International Association for Intercultural Communication Studies (IAICS) Call for Papers
June 6-8, 2017
Macao Polytechnic Institute, Macao
Conference Theme: “Languages and Cultures in a Globalizing World: Diversity, Interculturality, Hybridity”

In today’s world, globalization erases boundaries and leads to increased contact among various languages and cultures. While human contact and migration have always been present throughout history, e.g., on the Silk Road, today’s media and transport capacities facilitate contact and communication to an exponentially greater extent than ever before. As a consequence, the phenomena of diversity, interculturality and hybridity are intensified. Juxtaposed to increased contact ensuing from globalization are both the positive and negative aspects of the protectionist efforts of localism. The theme of this conference seeks to examine the context of these problems within the spheres of education, language, culture, and society.

Conference Goals:
* To provide scholars, educators and practitioners from different cultural communities with opportunities to interact, network and benefit from each other’s research and expertise related to intercultural communication issues;
* To synthesize research perspectives and foster interdisciplinary scholarly dialogues for developing integrated approaches to complex problems of communication across cultures;
* To advance the methodology for intercultural communication research and disseminate practical findings to facilitate understanding across cultures;
* To foster global intercultural sensitivity and involve educators, business professionals, students and other stakeholders worldwide in the discourse about diversity and transcultural communication issues.

Topic areas are broadly defined as, but not limited to, the following:
Cosmopolitanism in culture
Intercultural communication and cosmopolitanism
Cosmopolitanism in literature
Time and space in culture/literature
Language and culture
Intercultural communication and nationality
Language and identity
Comparative culture
Cultural identity
Cultural hybridity
Interculturality in literature
Intercultural communication and interculturality
Diversity studies
Language teaching as intercultural communication
Media and interculture Internet intercultural communication
Multi cultures and interculturality
Intercultural communication competence
Culture and travel writing
Intercultural education
Cross-cultural encounters
Interculture and human resource management
Comparative poetics
Interculture and public policy
Comparative literature
Transnational enterprises and intercultural communication
Imagology
Cultural study theories
Literature and religion
Culture and diplomacy
Literature and film
Language planning and policy
Translation studies
Intercultural pragmatics

Guidelines for Submissions
* Abstract, 100-150 words in English, including positions, affiliations, email addresses and mailing addresses for all authors. Times New Roman 12 pt font size, single spaced.
* Panel proposals reflecting the conference theme may be submitted. Panel proposals should include a 100-150 word abstract of each panelist’s paper (as above) and panelists must each individually complete the registration process (as below).
* The submissions will be evaluated by peer-review. There is a cap of 300 participants in the joint conference (see “Joint Conference” and registration information below).

Deadline: Please submit abstracts and panel proposals by 28th February, 2017.

Conference Working Language: English

Joint Conference: The 23rd IAICS Conference is held in conjunction with the 6th International Conference on English, Discourse, and Intercultural Communication (EDIC), Part I (Macao), June 6th-8th, 2017, followed by 6th EDIC Part II (Xinjiang), June 9th-11th, 2017. For information on EDIC Part II (Xinjiang), please contact the Xinjiang conference organizers.

Submission to: For correct registration, please follow this two-step procedure:
(1) Register and submit abstract online at http://edic.ipm.edu.mo, then
(2) Forward the computer-generated email you receive from the online registration with your registration number to ics@stu.edu.cn

Registration Fee: Waived. However, participants should arrange their own accommodation.

Online Information: http://www.uri.edu/iaics/ ; http://edic.ipm.edu.mo/

Sample Abstract
The Development and Validation of the Intercultural Sensitivity Scale
Guo-Ming CHEN, Ph.D.
Department of Communication Studies
University of Rhode Island
Kingston, RI 02881, USA
Email: gmchen@uri.edu

The present study developed and assessed reliability and validity of a new instrument, the Intercultural Sensitivity Scale (ISS). Based on a review of the literature, 44 items thought to be important for intercultural sensitivity were generated for the purpose of analyses in this study. A sample of 414 college students rated these items and generated a 24-item final version of the instrument which contains five factors. An assessment of concurrent validity from 162 participants indicated that the ISS was significantly correlated with other related scales, including interaction attentiveness, impression rewarding, self-esteem, self-monitoring, and perspective taking. In addition, the predicted validity test from 174 participants showed that individuals with high ISS scores also scored high in intercultural effectiveness and intercultural communication attitude scales.

Postmemory & the Contemporary World (Colombia)

Call for Proposals – Postmemory and the Contemporary World
International Interdisciplinary Conference in Medellin, Colombia
April 27 and 28, 2017

Organizers: University of Gdańsk, Poland; Universidad Pontificia Bolivariana, Colombia; InMind Support, Poland

Venue: Universidad Pontificia Bolivariana, Medellin, Circular 1 No. 70-01, Bloque 7, Piso 3, Medellín, COLOMBIA, Barrio Laureles (click here for details about Medellín)

Deadline for proposals: 28 February 2017

Conference Highlights

This version of the conference intends to bring together not only disciplines but also regions and scholars who work on the similar problems on the material of different geographical reason. In addition, the conference aims to combine arts and other sciences and the other is to how memory works for peace, with a special interest in setting our work on postmemory in the current context of the Colombian peace process.

Keynote addresses in the conference will feature scholars from Colombia, Poland and Brazil specializing in topics of urban violence, memory and artistic expressions. In addition to the academic events, the program will also include two city tours.

Conference Description

Coined by Marianne Hirsch in the 1990s, the term postmemory by now entered various disciplines who search to understand how memory form our identity and how we position, articulate or just make sense of our place in the society and our relations with it. The term postmemory problematizes the concept of memory by bringing attention to the memories that are not exactly personal but that keep on shaping one’s life and one’s way of seeing the world.

In the previous editions of our memory conference, which brought together more than five hundred scholars from around the world, we looked at the relationship between memory and solidarity (“Solidarity, Memory and Identity”, 2012 and 2016), memory and dreams (“Dreams, Phantasms and Memories”, 2013), memory and forgetting (“Memory: Forgetting and Creating”, 2014), memory and nostalgia (Memory, Melancholy and Nostalgia, 2015) as well as memory and trauma (“Memory, Trauma and Recovery”, 2016).  During this year’s conference we would like to concentrate on the phenomena of postmemory and how it keeps on shaping the contemporary world.

We are interested in all aspects of postmemory: in its individual and collective dimensions, in the past and in the present-day world, and in its potential to direct the future. Whose memory is postmemory: that of generations, communities, nations or families? How is it maintained and passed on? What is the role of imagination in its creation? What is remembered and what is forgotten? Is it always the memory of traumatic experience? How can it be taught and studied? These are some of the questions that inspired the idea of the conference.

Medellín, Colombia, has been chosen as a place for this conference not by chance. Colombia is the country of the troubled past that quite successfully has been processing it on its way of recovery. The conference wants to establish and promote a dialogue between scholars, countries and continents, therefore, inviting papers of different geographic and cultural focus.

We would like to explore the phenomenon of postmemory in its multifarious manifestations: psychological, social, historical, cultural, philosophical, religious, economic, political, and many others. As usual, we also want to devote considerable attention to how these phenomenon appears in artistic practices: literature, film, theatre or visual arts. That is why we invite researchers representing various academic disciplines: anthropology, history, psychiatry, psychology, psychoanalysis, sociology, politics, philosophy, economics, law, literary studies, theatre studies, film studies, memory studies, migration studies, consciousness studies, dream studies, gender studies, postcolonial studies, medical sciences, cognitive sciences, and urban studies, to name a few.

Different forms of presentations are encouraged, including case studies, theoretical inquiries, problem-oriented arguments or comparative analyses.

We will be happy to hear from both experienced scholars and young academics at the start of their careers, as well as doctoral and graduate students. We also invite all persons interested in participating in the conference as listeners, without giving a presentation.

Overall Suggested Topics (Check the conference website for details)
• Individual experiences
• Collective experiences
III.  Remembering and Forgetting
• Representations
• Feelings and Practices
• Institutionalization
VII.  The Contemporary World
VIII.  Colombia: peace process

Submission Process

Please submit abstracts (no longer than 300 words) of your proposed 20-minute presentations, whether in English or Spanish, along with a short biographical note, by February 28. 2017 both to Prof. Wojciech Owczarski (wowczarski1 AT tlen.pl) and Prof. Polina Golovatina-Mora (postmemory2017 AT gmail.com). Confirmation of acceptance will be sent by March 1, 2017.

CFP State of the Art in Creative Tourism (Portugal)

The State of the Art in Creative Tourism
Leading Research | Advanced Practices | Future Trajectories
1-2 June 2017
Coimbra, Portugal

Call for Proposals
Deadline: February 14, 2017

Objectives
This conference has two aims:
First, to bring together leading creative tourism researchers with creative tourism networks and practitioners to outline “the state of the art” – the main lines of research and key issues in both the research and practice of creative tourism. What is the state of the art within creative tourism research and practice? What are the leading trends and contextualizing influences today? What are the key questions and issues to be addressed going forward?

Second, to inform the development of a creative tourism network – CREATOUR – focusing on small cities and rural areas within the Norte, Centro, Alentejo and Algarve regions of Portugal. We are eager to learn from creative tourism efforts internationally that can advise the network’s development and the array of creative tourism practices to be conducted by the pilot initiatives within CREATOUR.

What is creative tourism?
Creative tourism offers visitors the opportunity to develop their creative potential through active participation in workshops, courses and other learning experiences that are characteristic of the destination where they are taken. Creative tourism allows visitors to deepen contact with the local culture by directly participating in cultural/creative activities and being involved in the creative life of the destination (rather than just displaying creative products, for example). The creative tourism approach allows the destination communities and regions to benefit from significant advantages, and enables artistic and other creative activities to play a driving role in broader socio-economic development.

Background
In the early 2000s, creative tourism emerged as a reaction against “mass cultural tourism” approaches as consumers sought more authentic and engaging experiences and desired to cultivate their own creativity through tourism. Originally, creative tourism referred mainly to active learning experiences, often linked to tangible cultural elements such as crafts, and this stream continues to be vibrant in creative tourism. Added to this, a shift towards a more extensive relationship between tourism and the creative industries is also observed, moving from a focus on specific forms of culture to creative content more generally and the platforms that make the distribution of this content possible. This new wave of creative tourism embodies an approach centred on “contemporary creativity, innovation and intangible content” (OECD 2014: 7), although it may use traditional culture as a source of inspiration. Becoming more than just a new tourism niche, this represents a source of innovation and an expansion of tourism as a whole.

Creative tourism experiences combine different creative content elements and engage with creative lifestyles. Visitors or consumers want to be actively involved in creative experiences and activities. Creative tourism consumers desire to “go where the creativity is” and to directly participate in creation and co-creation activities. They are increasingly playing a co-creation role in the development of creative experiences, sharing knowledge, and contributing skills to the creative experiences. Creative tourism experiences are not only economically valuable, but may stimulate the development of new ideas, products, and services through the interactions, conversations, and co-creation experiences that occur.

Furthermore, creative experiences must be embedded in the destination so that “people have a reason to be creative in a particular place. Destinations have to identify characteristic creative content and activities that connect with the needs of visitors and residents” (OECD 2014: 54). Creative tourism involves collaboration with a wide range of actors to develop “dispersed value networks” (p. 7).

The highest-profile creative tourism platforms are in cities well known as creative centres (e.g., Paris, Barcelona, Santa Fe) or linked with popular films and music (e.g., Lord of the Rings and Wellington, New Zealand; Korean new wave cinema and music, with various sites). However, other initiatives, for example, in Canada and Japan, have been developed from regional or small-town contexts.

Who is organizing?
The conference is organized within the project CREATOUR: Creative Tourism Destination Development in Small Cities and Rural Areas (Desenvolver Destinos de Turismo Criativo em Cidades de Pequena Dimensão e em Áreas Rurais). The overall objective of CREATOUR is to develop and pilot an integrated approach and research agenda for creative tourism in small cities and rural areas in Portugal, developing strong links within and amongst regions. CREATOUR is a national three-year project (2016-2019) funded under the Joint Activities Programme of PORTUGAL 2020, by COMPETE2020, POR Lisboa, POR Algarve and Fundação para a Ciência e Tecnologia.

About CREATOUR: www.ces.uc.pt/creatour

CFP Intercultural Horizons (Croatia)

Intercultural Horizons Conference
May 18-19th, 2017
Rijeka, Croatia

The conference committee will be accepting proposals through January 15th 2017!

This edition will be hosted by the University of Rijeka – Faculty of Humanities and Social Sciences thanks to a long-standing relationship with faculty there. The event is organized by Siena Italian Studies and the Foundation for Intercultural Exchange (formerly known as the International Center for Intercultural Exchange).

The theme for this edition is Innovative Approaches to Education for Democratic Culture and Inclusive Societies.  We look forward to welcoming back Martyn Barrett (University of Surrey, UK) and Robert Bringle (Indiana University – Purdue University Indianapolis, USA) and are thrilled to welcome for the first time Michael Byram (University of Durham, UK) and Petra Rauschert (University of Munich) as Keynote Speakers.

For more information on the event, the keynote speakers and the call for proposals please visit the conference website.

CFP Postcolonial Mediations (Amsterdam)

Call for proposals:
Fourth Annual ACGS Conference: Postcolonial Mediations: Globalisation and Displacement conference
Amsterdam, 26-27 October2017

*Keynote speakers:*
Victoria Bernal (Professor of Anthropology, University of California, Irvine, US) Paula Chakravartty (Associate Professor Media, Culture and Communication, New York University, New York, US) Iain Chambers (Professor of Cultural and Postcolonial Studies, Oriental University, Naples, Italy)

Postcolonial thinking has challenged the stability of discourses on culture, globalisation, economics, human rights and politics. Postcolonial thinking, as a form of mediation and displacement of worldviews, triggered a re-evaluation of the complex connections between culture, class, economy, gender and sexuality. This conference aims to engage with such postcolonial displacements.

Displacement can be seen under the rubric of mobility and its many forms today, most tellingly discernible in the forced movements of peoples in the wake of wars, and the concomitant crises this provokes around issues of “culture and civilization”, and its gendered, religious and raced dimensions. The refugee crisis in Europe is an important case in point.

Cultural productions from the non-West continue to displace received understandings of other cultures and societies (Chow, 2002, Narayan, 1997) while contemporary political movements draw inspiration from postcolonial struggles as they deploy new media forms, as Howard Caygill (2013) has recently shown in his analyses of the Gandhian non-violence movement, the continuing Maoist rebellions and their relation to the Zapatistas and the /Indignados. /The shifting contours of gender and sexual politics, and the critique of stable identities provoked by queer politics and theory, are also producing displacements, in the discourse and practice of the politics of rights. Local, regional and national politics often challenge universal rights claims. e.g. the controversies around the relevance of “Global Queer” (Altman, 1996).

The postcolonial is understood here simultaneously as a mediating and a displacing series of interventions, which demands engagement with contemporary understandings of globalisation.

We invite papers that explore the complexity of postcolonial mediations in their interaction with the displacements of globalisation through theoretical and empirical analyses.

*Possible topics* include:

1. How can a postcolonial perspective inform newer understandings of contemporary forms of cultural, political and economic globalisation? For example, what does the “neo-colonial” turn (Mignolo) imply for thinking globalisation’s many dimensions today? What purchase might postcolonial perspectives (including postcolonial self-critique) have in the context of “planetary” (Spivak) developments, discussions of “Empire” and “Multitude” (Hardt/Negri) and articulations of “singular” (Jameson) and alternative modernities?

2. Migration in its many forms has centralized displacement as a crucial feature of globalisation. How might a postcolonial perspective further a contemporary engagement with the displacements of peoples in the wake of economic globalisation, political crises, human rights crises, and the ongoing militarization of the globe? How can the figures of the “migrant”, the “refugee” and the “asylum-seeker”, for example, be rethought given their contemporary reformulations by nation-states and transnational entities such as the EU and other multilateral deportation/resettling schemes in Asia?

3. Queer theory has long argued that gender and sexuality are not external dimensions to be “added” onto considerations of subjectivity but intrinsic to how “human” subjectivities are lived, transformed and theorized. How do contemporary forms of displacement register at the level of gender and sexual politics? And how might queer forms of thinking intervene, mediate, displace or consolidate racist, sexist, transphobic, and hetero-normative discourses in the wake of globalisation, often under the rubric of culture and civilization?

4. Contemporary forms of globalisation are not only represented but also actively constructed through forms of media engagement, from political mobilization through social media to filmic and televisual cultural practices. These mediated forms of global politics demand different forms of analysis while also provoking transformations in how we theorize media themselves. How can “mediation” be confronted and theorized given the postcolonial dimensions of contemporary globalisation?

5. The contours of globalisation in terms of borders, the nation-states and transnational communities are being displaced and redrawn in the content of contemporary economic, political and military crises. How might postcolonial perspectives furnish cognitive and affective mappings of the overlaps and disjunctions of political and cultural cartographies?

6. Given that a “postcolonial perspective” unites competing perspectives (e.g. the literary, the politico-economic, the Marxist, the postmodernist) rather than a unified and homogeneous body of arguments, what are the contemporary forms of internal displacement within the field?

Contributions from fields from across the social sciences or humanities are invited.

*Please submit an abstract (200-300 words) and short bio (max. 100 words) by 1 February 2017 to AGCS.

Notice of acceptance will be given by 1 May 2017.
Conference fee: 50 Euros (25 Euros for PhD students).
Conference dinner: 25 Euros.

Organisers:
Sudeep Dasgupta (University of Amsterdam), John Nguyet Erni (Hong Kong Baptist University), Aniko Imre (University of Southern California), Jeroen de Kloet (University of Amsterdam), Sandra Ponzanesi (Utrecht University), Raka Shome (National University of Singapore)

CFP Transnational Journalism History (Ireland)

CALL FOR PAPERS
Transnational Journalism History
Deadline: February 1, 2017

The second annual conference on Transnational Journalism History is seeking papers that deal with any aspect of the history of journalism and mass communications that transcends national borders.

This year’s conference will be June 9-10 in Dublin, Ireland. Keynote speaker will be Marcel Broersma of the University of Groningen.

The conference is sponsored jointly by the journalism and mass communication programs at Dublin City University and Augusta University.

Conference planners anticipate at least one book to result from the 2016 inaugural conference and the 2017 conference. Abstracts of 250 words (for research-in-progress) or full papers (for completed projects) should be submitted to by February 1, 2017. Submissions will be blind reviewed.

Any questions may be addressed to Debbie van Tuyll or Mark O’Brien.

CFP Community College of Qatar Humanities Conference

Call for Papers
4th Community College of Qatar (CCQ) Humanities Conference
March 29th through Thursday, March 30th 2017
Conference theme: “A Nation in Transition”

Transition is fundamentally about change. William Bridges (Transition: Making Sense of Life’s Changes, 2004), asserts that transition is a process that involves three stages: an ending, a neutral zone and in time, a new beginning. While the latter stage is ideal, most agree that transition is an unquestionable and undeniable force of such magnitude that it is capable of building or shattering nations. From the prolific changes in Post-Communist Europe to the Arab Spring to the ambitious pursuits of Qatar’s 2030 National Vision of Human, Social, Environmental and Economic Development, our world exists in a perpetual state of transition. We yearn for transition because it moves us forward. It fosters development, growth, harmony, awareness and acceptance. And, at its best, it can produce profound transformations politically, economically and socially.

The purpose of this conference is to explore and examine the various challenges and successes of transition that countries have encountered and continue to encounter through topics such as, but not limited to, human capital, education, family, gender roles, tradition, religion, the media, government, globalization, the economy, the environment, differently-abled and disenfranchised persons. Even more importantly, this conference will examine lessons learned from past failures, identify strategies for successful transition, and help us recognize and acknowledge our roles and responsibilities to move all nations forward to a brighter future.

We invite and welcome scholarly interdisciplinary submissions (abstracts) rooted in the field of humanities from professionals and graduate students that pertain to issues relative to nations in transition. The abstracts should be between 250 to 500 words.

All submissions are due by January 30, 2017. Early submissions are recommended. Please send your proposals to: CCQHC2017@ccq.edu.qa. Further conference details and information will be posted on the conference website soon.

CFP Conflict Conference (Texas)

Call for Papers
4th Annual Conflict Conference
Moody College of Communication
University of Texas, Austin
April 7-9, 2017

TCC is a multidisciplinary annual conference promoting the study of conflict and conflict resolution or management. We invite papers, panel proposals, and posters on any relevant topic such as apologies, advocacy, collaboration and cooperation, conflict management, conflict talk, dialogue and deliberation, dispute resolution, environmental disputes, forgiveness, mediation, negotiation, peace, political divisiveness, reconciliation, restorative justice, technologically mediated conflicts, and ethics. With a broad focus on conflict and peace studies in a variety of contexts, TCC encourages participants across disciplinary fields to submit work ranging from localized social and interpersonal conflicts in interaction to large-scale policy issues. With several options for participation, TCC offers a breadth of perspectives that engenders productive dialogues for scholars and community members.

Submission Information and Guidelines:
The deadline for submissions is February 6,  2017. Notices of acceptance will be sent in late January or early February.

The Conflict Conference welcomes several submission types:
Paper Proposals: 600-word abstract
Panel Proposals: 300-word abstracts for each panelist
Poster Sessions: 150-word abstract

Submission documents should be sent to TCC at TheConflictConference@gmail.com.