Fulbright Award in Comm/Media Studies (Portugal)

FulbrightsFulbright Award in Communication & Media Studies, Escola Superior de Comunicação Social, Instituto Politécnico de Lisboa, Lisbon, Portugal. Deadline: September 16, 2019.

The School of Communication and Media Studies (Escola Superior de Comunicação SocialInstituto Politécnico de Lisboa, ESCS-IPL), known as the premier college in Communications in Portugal, seeks to cover the main strands of Communication taught in Bachelor and Master’s degrees. To this end, ESCS counts with the involvement of its nuclear Departments in Audiovisual & Multimedia; Journalism; Advertising & Marketing; Public Relations & Organizational Communication.

The Fulbright Scholar for 2020-2021 will be hosted by the Department of Audiovisual & Multimedia. The Scholar will research and debate subjects such as Digital Film Production, Business Model Journalism and Digital Strategic Communications.

Lûiz Fêrnando da Silva Profile

ProfilesLûiz Fêrnando da Silva is an experienced Brazilian specialist in the TV market, and a lecturer.  He is a TV market enthusiast with a professional and personal interest in content marketing, brand content, content strategy, windowing, streaming, content for social media, TV market regulation and laws, customer and audience insights, content trends, technologies for production and consumption of content and innovation in general.

Lûiz Fêrnando da Silva

Over the last years, he has worked for Globo TV, the biggest media group in Brazil and taught for Escola Superior de Propaganda (ESPM) e Marketing and Agência Nacional de Cinema, the latter being the main public investor on TV production in Brazil.

At Globo TV, he built experience with TV shows creation, development, production planning and programming for free and pay TV (Globo TV & Globosat), streaming services (GloboPlay & GlobosatPlay) and TV on demand (available through NET and SKY). During the years working as a researcher for Globo TV, he attended a variety of conferences – SXSW, TED, Mipcom, MipTV, L.A. Screenings and Natpe, to look for insights and trends to support creation, development and programming decisions. He became familiar with FremantleMedia Formats, and had the opportunity to visit some company displays at Mipcom and Natpe Miami.

As a researcher, his area of study is the Political Economy of Communication and Cultural Studies, with a specific interest in the investigation of national and international broadcasting systems and the way the Internet (streaming: VOD, SVOD, TVOD) imposes new regulatory and marketing challenges on local, regional, national, continental, and global levels. In addition, he has interests in subjects such as multiculturalism, gender, and race, and how they are being represented through media culture products.

Currently he is conducting a post-doctoral study entitled “Globo and Netflix: unfolding of the coexistence between the services of SVOD in Brazil.” In this investigation the goal is understanding how Netflix causes changes in the country’s two largest broadcasting companies, TV Globo (open TV) and Globosat (cable channel programmer), both owned by Grupo Globo. The research is being conducted at the Center for Communication and Society Studies (CECS), Minho University, in Braga, Portugal.

Work for CID:
Lûiz Fêrnando da Silva translated KC3: Intercultural Competence and KC22: Cultural Identity into Portuguese. He has also served as a reviewer for Portuguese.

International Congress on Cultural Mapping (Portugal)

ConferencesInternational Congress on Cultural Mapping: Linking Heritage (Tangible and Intangible) and Creative Tourism, November 29-30, 2018, Évora, Portugal. Registration deadline: October 15, 2018.

Structured in two days the congress aims to provide a better understanding of how cultural mapping can propose actions that enhance the awareness of cultural identities, debate its implications for local development, community engagement and policymaking, including sustainable and creative tourism practices, and foster debate over its long-term results.

Filipa Subtil Profile

ProfilesFilipa Subtil holds a Ph.D. in Social Sciences from the Universidade de Lisboa. She is Assistant Professor at Escola Superior de Comunicação Social, Instituto Politécnico de Lisboa.

Filipa SubtilShe has been visiting scholar at the University of Iowa (2010) and Muhlenberg College (2008) in the US, at Universidade Cardinal Stefan Wyszyński in Poland (2017, 2018), and at Universidad de Navarra, Spain (2019). Between 2014 and 2018, she was editor-in chief of Comunicação Pública journal. Among her research interests are sociology of communication, social theory of the media in the USA and Canada, and frameworks of the media on gender issues. Her published work has appeared in international and national journals and books. Subtil is co-editor and author of Media and Portuguese Empire (Palgrave Macmillan, 2017) and A Crise do Jornalismo em Portugal [The Crisis of Journalism in Portugal](Deriva/Le Monde, 2017). She is also author of Compreender os Media. As Extensões de McLuhan (2006) [Understanding the Media: The McLuhan Extensions].

Work for CID:

Filipa Subtil has translated KC2: Cosmopolitanism, KC15: Cultural Pluralism, KC19: Multiculturalism, KC25: MetacommunicationKC30: Critical Intercultural Communication, KC39: Otherness and The Other(s), KC49: Intersectionality, and KC75: Argumentative Dialogue into Portuguese. She has also served as a reviewer for Portuguese.

CFP CREATOUR: Trends in Creative Tourism (Portugal)

ConferencesCREATOUR 2nd International Conference – Emerging and Future Trends in Creative Tourism, University of Minho, Portugal, 7, 8 and 9th June 2018. Proposal Deadline: 31 January 2018.

The conference is organized within the project CREATOUR: Creative Tourism Destination Development in Small Cities and Rural Areas. The Conference aims to continue the works developed in the first Conference at Curia (May 2017). It will bring together creative tourism researchers with creative tourism networks that will discuss the research and practice of creative tourism.

The project builds on three interlinking dimensions of recent cultural and creative industries development in Portugal: (1) the development of artistic and creative industry hubs (“arts centres” or “creative factories”) in repurposed former industrial buildings or in restored heritage sites in many small cities and rural areas; (2) growing attention to the (re)vitalization and valorization of tangible and intangible cultural traditions throughout the country; and (3) the growth and development (and heightened visibility) of culture and design-related creative products in Portugal.

CFP Europe as a Space for Intercultural Dialogue (Portugal)

ConferencesInternational Congress: Europe as a space for intercultural dialogue and mediation will take place on 26 and 27 April 2018, at the University of Minho, Braga, Portugal.

The II International Colloquium on Social Mediation will be held at the University of Minho in association with the II International Congress of RESMI and the European Mediation for Social Inclusion Colloquium. This event will take place on 26 and 27 April 2018 and addressing the theme “Europe as a space for intercultural dialogue and mediation.” It will be a moment of interdisciplinary debate on the challenges of contemporary society, addressing issues such as migration, diversity, intercultural communication and mediation, with the aim to deepening the construction of more welcoming, inclusive and peaceful societies.

The organizing committee invites all those interested in the theme of the congress to participate with the presentation of papers. Proposals for oral communications and posters  may be submitted.

Digital Storytelling for Intercultural Dialogue

Applied ICDTraining Course: Once Upon a Story – Digital Storytelling for Intercultural Dialogue. 5-14 November 2017, Evora, Portugal

Eligible are 24 participants coming from: Germany, Italy, Netherlands, Poland, Portugal, Spain

Application deadline: 17th September 2017

Erasmus+ training course addressed to youth workers and young leaders interested in exploring the method of digital storytelling and its usage for working with young people with diverse cultural background. Follow the link above for details.

Susana Gonçalves Profile


Susana Gonçalves, PhD in Psychology, is Professor at the Polytechnic of Coimbra, in Coimbra, Portugal.


Susana Gonçalves

She is a researcher at NIEFI, the Research Unit for Education, Training and Intervention (Escola Superior de Educação de Coimbra) and she teaches Psychology and Intercultural Education and a range of topics in the field of cultural studies. She is a member of Children’s Identity and Citizenship in Europe Association, where she served as Secretary General from September 2007 to September 2019. She was Director of the Centre for the Study and Advancement of Pedagogy in Higher Education (CINEP) from 2011 until 2021. Her main research interests are higher education, multimedia pedagogical resources, citizenship, and art in education. Some of her edited books are Pandemic, Disruption and Adjustment in Higher Education (forthcoming, Brill), Pandemic and Remote Teaching in Higher Education (2021, CINEP), Art in Diverse Social Settings (Emerald, 2021), Art and intercultural Dialogue (Sense, 2016), The Challenges of Diversity and Intercultural Encounters (2013, Routledge) and Intercultural Policies and Education (2011, Peter Lang). She is also a visual artist and a photographer.

ORCID: Susana Gonçalves https://orcid.org/0000-0001-6810-0735
Ciência ID 171B-C3AA-9C66

Work for CID:

Susana Gonçalves has translated KC18: Intractable Conflict, KC54: Critical MomentsKC71: Safe Space and KC77: Negotiation into Portuguese. She also serves as a reviewer for Portuguese.

CFP State of the Art in Creative Tourism (Portugal)

The State of the Art in Creative Tourism
Leading Research | Advanced Practices | Future Trajectories
1-2 June 2017
Coimbra, Portugal

Call for Proposals
Deadline: February 14, 2017

This conference has two aims:
First, to bring together leading creative tourism researchers with creative tourism networks and practitioners to outline “the state of the art” – the main lines of research and key issues in both the research and practice of creative tourism. What is the state of the art within creative tourism research and practice? What are the leading trends and contextualizing influences today? What are the key questions and issues to be addressed going forward?

Second, to inform the development of a creative tourism network – CREATOUR – focusing on small cities and rural areas within the Norte, Centro, Alentejo and Algarve regions of Portugal. We are eager to learn from creative tourism efforts internationally that can advise the network’s development and the array of creative tourism practices to be conducted by the pilot initiatives within CREATOUR.

What is creative tourism?
Creative tourism offers visitors the opportunity to develop their creative potential through active participation in workshops, courses and other learning experiences that are characteristic of the destination where they are taken. Creative tourism allows visitors to deepen contact with the local culture by directly participating in cultural/creative activities and being involved in the creative life of the destination (rather than just displaying creative products, for example). The creative tourism approach allows the destination communities and regions to benefit from significant advantages, and enables artistic and other creative activities to play a driving role in broader socio-economic development.

In the early 2000s, creative tourism emerged as a reaction against “mass cultural tourism” approaches as consumers sought more authentic and engaging experiences and desired to cultivate their own creativity through tourism. Originally, creative tourism referred mainly to active learning experiences, often linked to tangible cultural elements such as crafts, and this stream continues to be vibrant in creative tourism. Added to this, a shift towards a more extensive relationship between tourism and the creative industries is also observed, moving from a focus on specific forms of culture to creative content more generally and the platforms that make the distribution of this content possible. This new wave of creative tourism embodies an approach centred on “contemporary creativity, innovation and intangible content” (OECD 2014: 7), although it may use traditional culture as a source of inspiration. Becoming more than just a new tourism niche, this represents a source of innovation and an expansion of tourism as a whole.

Creative tourism experiences combine different creative content elements and engage with creative lifestyles. Visitors or consumers want to be actively involved in creative experiences and activities. Creative tourism consumers desire to “go where the creativity is” and to directly participate in creation and co-creation activities. They are increasingly playing a co-creation role in the development of creative experiences, sharing knowledge, and contributing skills to the creative experiences. Creative tourism experiences are not only economically valuable, but may stimulate the development of new ideas, products, and services through the interactions, conversations, and co-creation experiences that occur.

Furthermore, creative experiences must be embedded in the destination so that “people have a reason to be creative in a particular place. Destinations have to identify characteristic creative content and activities that connect with the needs of visitors and residents” (OECD 2014: 54). Creative tourism involves collaboration with a wide range of actors to develop “dispersed value networks” (p. 7).

The highest-profile creative tourism platforms are in cities well known as creative centres (e.g., Paris, Barcelona, Santa Fe) or linked with popular films and music (e.g., Lord of the Rings and Wellington, New Zealand; Korean new wave cinema and music, with various sites). However, other initiatives, for example, in Canada and Japan, have been developed from regional or small-town contexts.

Who is organizing?
The conference is organized within the project CREATOUR: Creative Tourism Destination Development in Small Cities and Rural Areas (Desenvolver Destinos de Turismo Criativo em Cidades de Pequena Dimensão e em Áreas Rurais). The overall objective of CREATOUR is to develop and pilot an integrated approach and research agenda for creative tourism in small cities and rural areas in Portugal, developing strong links within and amongst regions. CREATOUR is a national three-year project (2016-2019) funded under the Joint Activities Programme of PORTUGAL 2020, by COMPETE2020, POR Lisboa, POR Algarve and Fundação para a Ciência e Tecnologia.

About CREATOUR: www.ces.uc.pt/creatour

CFP Culture, Sustainability & Place (Azores, Portugal)

Interdisciplinary Conference
Culture, Sustainability, and Place: Innovative Approaches for Tourism Development
11-13 October 2017
Ponta Delgada, São Miguel Island, Azores, Portugal

Deadline for proposals: 16 December 2016

The United Nations has designated 2017 as the International Year of Sustainable Tourism for Development. In this context, this conference will explore the place and roles of culture within sustainable tourism and local sustainable development.

The conference follows from transdisciplinary work on investigating cultural sustainability across Europe and other international efforts to highlight and understand the roles of culture in sustainable development, and to develop and strengthen our cultural bridges to nature.

It aims to bring together artists working with ecological and sustainability issues, cultural heritage and cultural sustainability researchers, local development actors, and tourism practitioners. It will shine a spotlight on issues and approaches to operationalize the inclusion of culture in sustainable tourism for local and regional development, within a co-learning interdisciplinary context.

We invite proposals for a wide range of papers and workshops addressing the topic of innovative approaches to culture in sustainable tourism for local and regional development.

*Culture–nature connections
*Relationships between cultural sustainability and environmental sustainability
*Cultural trends in sustainable tourism
*Tourism as a vehicle to explore cultural landscapes and heritage
*Tourism experiences and the sustainable representation of authenticity
*Cultural mapping and deep mapping as tools for sustainable tourism development
*Artistic inquiry into issues of sustainable culture and tourism
*Understanding place through creative activities and expressions
*Representations of heritage through a cultural tourism lens
*The relationship between sustainable tourism and local development
*Cultural sustainability and tourism
*Relationships between artistic practice, audience development, and tourism
*Linking cultural/creative and environmental tourism initiatives
*Gastronomy, culture, and place

The event website, including an online form, is available for proposal submissions.

The primary language of the event will be English, but proposals for presentations in Portuguese are also welcome. We will try to arrange for ‘informal’ translation support for Portuguese-language sessions, as possible.

We are planning to publish an international book with selected papers from the conference.

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